Godless: The Eastfield Exorcism (dir. – Nick Kozakis) On its surface, Godless: The Eastfield Exorcism, looks to be just another priest vs. Satan possession movie
Category: Reviews
Overlook Film Festival: Renfield is funny enough, but only just enough
The selling point for Renfield is simple: the legendary Nicolas Cage plays Count Dracula. This ain’t his first foray into the world of undead bloodsuckers
Overlook Film Festival – Late Night With the Devil and The Wrath of Becky
Late Night With the Devil (dir.- Cameron Cairnes, Colin Cairnes) The film I was most excited to see at Overlook was not only the
Check out the trailer for The Unknowable (because this website is quoted)
Hey hey, everyone! You may remember a few weeks back when I recommended The Unknowable the mind-melter of a web-series from The Den filmmaker, Zachary
Inside is a survival thriller that doubles as an art installation
There’s no denying that Willem Dafoe is one of the best to ever do it. Despite having one of the most recognizable voices in human
Scream VI is a gory bit of fun that struggles to break from formula
It’s hard to believe that Scream, the flick that took the world by storm with its loving, meta-parody of slashers, is now six films deep
Creed III boldly moves the franchise into a post-Rocky era
Despite being a fictional character, Rocky Balboa is a deeply beloved Philadelphia sports figure. Not only is he our most successful champion (despite, once again,
Dark Sky Films’ UHD release of The Texas Chain Saw Massacre is STUNNING!
There’s no denying the power inherent to The Texas Chain Saw Massacre. It’s a cinematic punch to the gut — a sweat-drenched nightmare that places
Cocaine Bear is a more of a meme than a movie
There’s another universe in which a movie called Cocaine Bear is a hard-R splatter-fest that makes the most of its ridiculous concept, its cast of
Actors is a hilarious, thoughtful send-up of sibling rivalry, amongst other things
“Were you filming when I was crying? That was good stuff,” exclaims Betsey as she expresses her desire to capture something ‘real’ on video. And