In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive
Year: 2022
From the Archives: Ma Rainey’s Black Bottom is beautiful and thought provoking
In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive
From the Archives: My Favorite Film Discoveries of 2020
In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive
From the Archives: Alabama Snake blurs the line between true crime and real folklore
In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive
From the Archives: In Mank, Fincher wrestles with style and authorship
In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive
From the Archives: The Mystery of D.B. Cooper walks the line between fact and legend
In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive
From the Archives: Belushi captures the darkness, the warmth, and the genius of one of comedy’s greats
In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive
From the Archives: Leap of Faith: William Friedkin on The Exorcist
In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive
From the Archives: Kindred is a classic plot approached from a new point of view
In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive
From the Archives: May the Devil Take You Too is an unhinged parade of garish horrors
In the interest of getting “hard” copies of my work under one roof, I plan to spend the next few weeks posting the entire archive