Another Simple Favor – a light comedic thriller that makes good use of its large cast
I’ll be the first to admit that I found A Simple Favor (2018) to be little more than a passable, fun adaptation of a book
PFS SpringFest 2026: Maddie’s Secret and The Furious
PFS SpringFest 2026 – Obsession and The Napa Boys
PFS SpringFest 2026: Mile End Kicks & Hokum
Dan Scully’s Lee Cronin’s The Mummy review
PFS SpringFest 2026: The party starts this week!
The Drama – Go ahead and have the strangest date night of your life. I dare you.
Ready or Not 2: Here I Come – a brutal, bloody comedy
I Like to Movie Movie episode 279 – Scream(s)
Review- 2026 Oscar Nominated Animated Shorts
Review- 2026 Oscar Nominated Live-Action Shorts
I’ll be the first to admit that I found A Simple Favor (2018) to be little more than a passable, fun adaptation of a book
Last Breath, the thrilling true story of a miraculous underwater rescue is now available to purchase on Blu-ray and DVD, and is also available digitally
The Baltimorons (dir. Jay Duplass) The main point of comparison I’ve been seeing for The Baltimorons are Linklater’s Sunrise/Sunset movies, in which two people, through
Predators (dir. David Osit) There is a 100% chance that Predators will be misinterpreted as being empathetic toward child molesters. The film, which is critical
Deaf President Now! (dir. Nyle DiMarco, Davis Guggenheim) In the first of two documentaries featured at SpringFest which cover deaf stories, Deaf President Now! chronicles
Friendship (dir. Andrew DeYoung) It’s not an understatement to say that Tim Robinson is having a moment right now. I Think You Should Leave has
Patton Oswalt once told a story that I’m going to misquote, but hopefully represent here with some level of accuracy. He told of a time
Megan has never seen a Mission: Impossible movie. Dan and Stephen are making her watch ALL OF THEM. That’s right, as the final (?) film
One only need look around to see that sobriety is not just for people who are in recovery anymore. A lot of folks have chosen
It’s been correctly noted that it’s impossible to make a combat movie* without glorifying said combat in some way. Even the films most critical of