Hot Property Episode 122 – Diet Diamond Dallas Dr. Pepper
Dan attends Jury Duty…is it like the show? It’s certainly better than Stephen’s Wegman’s story. The boys create their own cookie shop, but don’t eat
The 35th Annual Philadelphia Film Festival – Spookies Edition
The 35th Annual Philadelphia Film Festival – Hot For Teacher edition
Your Mother Your Mother Your Mother review – I’m glad Blade fell apart
Digger – a generational piece of cinema that is impossible to review
Primetime – a character study disguised as an exposé
Resident Evil – bridging the gap between gaming and cinema
Ice Cream Man & Spider-Man: Brand New Day – two movies that I don’t have strong feelings about either way
The Odyssey – Seeing yourself become the villain
I Like to Movie Movie episode 280 – A Farewell Film Potluck
Evil Dead Burn – a New French Extremity-inspired entry to a series that will (hopefully) never die!
Dan attends Jury Duty…is it like the show? It’s certainly better than Stephen’s Wegman’s story. The boys create their own cookie shop, but don’t eat
Fast X, the tenth film in the Fast and Furious series proper, has got to be the dumbest fucking movie I’ve ever seen in my
This legendary Charlie Kaufman/Spike Jonze collaboration changes shape as the viewer ages, but remains an essential piece of meta-cinema. In solidarity with the WGA, we
Chris Pratt is voicing both of us for this episode. Dan tries to use Jury Duty (the task, not the Pauly Shore movie) to get
We didn’t want to watch the new Mario movie or the old Mario movie, but we reeeeally wanted to tie this episode into the release
I’m going to level with you, Dear Reader: while the below films were indeed featured at Spring Fest, I didn’t actually see them at the
The first half of this episode is about Dr. Scientist’s Dance with the KFC Double Down. Dan has tips for remote workers. Would you bring
Passages (dir. – Ira Sachs) Passages is a frustrating movie to watch, not because it’s a failure or anything, in fact much the opposite, but
Blue Jean (dir. – Georgia Oakley) Early in Blue Jean, a drama that occurs right in the heart of the Thatcher-era UK, we see a
Carmen (dir. – Benjamin Millepied) It’s hardly a meet-cute when Carmen (Melissa Barrera) and Aidan (Paul Mescal) cross paths at the southwest American border. The